Aby Mackie
Mackie is captivated by the unobvious silent material witnesses to a life lived, a worn bed sheet, a stained tablecloth, a moth-eaten gown. Such artifacts bare the marks and physicality of human nature, possessing a poetic power. They are simultaneously valuable in their uniqueness and worthless in their deteriorated, decontextualized state. Each piece created from these objects is therefore both the artist’s personal expression of the hidden memories embedded in the original items, and a way to explore the recycling and re-contextualizing of meaning and value in contemporary society. The experience and memories of others, imagined and real, fuse seamlessly with Mackie’s own through the salvation, destruction, and discordant juxtaposition of materials.
A rich mix of influences can be seen through Mackie’s work in terms of concept (the found object sculpture of Picasso, Miro, Tapies, Grau-Garriga), techniques and materials (Anatsui) and subject matter and aesthetic sense (Basquiat, Schwarz), inviting the viewer to create their own connections and interpretations and encouraging a personal storytelling through materiality.